John, Paul, George, and...Ben

I'm sure I've mentioned before how much I love Lane Smith's work. I fell in love with Lane's work at The True Story of the Three Little Pigs, his first collaboration with Jon Scieszka. Since then I've read and looked at everything that Lane Smith has done. I own most of his books and I love almost everyone. But John, Paul, George, and Ben has a special place in my heart. I giggle every time I read it. I laugh out loud repeatedly. I love the history, both pretend and real. And I love the characters.

This is really the story of John, Paul, George, Ben, and Tom. John Hancock, Paul Revere, George Washington, Benjamin Franklin, and Thomas Jefferson, that is. All the men who had a role in forming the United States. Lane imagines them as boys and shows off how their early personalities affected their later contributions. He looks at each of the men separately, mixing historical facts with invented stories. While the facts are fun, it's what Lane invents that makes this book. For example, Paul Revere used to be in the bell ringers chorus (before they invented fun, Lane comments) and because of the loud bells, he can't hear himself talk anymore. So he yells. As a store clerk in his father's store, the yelling does not go well (You need extra extra large underwear?). As a rider warning about the British attack, the yelling makes him a hero. The yelling is all invented. And is giggle inducing. And the stories just get better from there. Ben Franklin has to be my favorite (but I'll save that for you to find).

Lane Smith's illustration work is what got him his start. And he's on top of his game here. Mixing formal portraits with gross caricature, he creates a book that's both zany and beautiful. He makes the background paint look cracked to give the book an aged feel. The muted colors look faded. But the characters are what make the book. George Washington (looking a bit like Charlie Brown) has oddly cracked teeth in reference to his later need for dentures. Paul Revere has his famous tri-corner hat and a huge mouth that is always wide open. Ben doesn't yet have his famous spectacles but he's instantly identifiable. The artwork is perfect. The stories are funny and the book makes me happy. Lane even provides a section at the end with historical facts about each figure and lays to bed some of the popular myths. So I could even say it was educational as well.

The Library

I special ordered The Library by Sarah Stewart and David Small from my local children's bookshop. I've been checking (read as scouring) bookstores for years to find a copy and hadn't had any success. I had some extra money and was ready to give up the search. I'm so incredibly excited to own this book but I'm sad that I had to order it. A book this good shouldn't be this hard to find.

The Library tells the story of Elizabeth Brown who started reading at a very early age and never stopped. We see her arrive "skinny, nearsighted, and shy" and watch as she grow up reading book after book after book. She buys them at a terrific rate and reads them while doing her errands or vacuuming. She reads them instead of going on dates. She reads them constantly. And she slowly fills up her house with books. When Elizabeth can no longer find the door, she realizes that she'll have to take drastic action. So she does the only thing she can. She turns her house into a library, moves in with a friend, and spends the rest of her life visiting and reading her books.

This book is an incredible mix of illustration and words, like most of Sarah Stewart's collaborations with her husband David Small. These two work together so seamlessly that it's hard to pull apart which part is more important, the words or the images. Sarah Stewart tells this story in bits of verse, rather then the epistolary style that she used in other books. Most pages have four or five lines that provide snippets into Elizabeth's life, from early age to old age.
"Books were piled on top of chairs
And spread across the floor.
Her shelves began to fall apart,
As she read more and more."
The images that accompany this verse is of stacked of books fitting into every nook and cranny of her living room. The books are stacked on the floor, on the shelves, as end tables. But the readers don't see this as odd. Instead Small's illustrations make the image seem cozy, the kind of house that any reader wouldn't mind spending time in. And that is really the power of this book.

I loved Elizabeth from the beginning mostly because I saw myself in her. She is surrounded by books, teacups, cats, and solitude; and I found myself wanting to step into her world and read with her. She's a character who doesn't worry about her odd lifestyle (a lifestyle I don't find odd, only admirable). She is happy with her books. The verses and the images present a picture of cozy happiness. Any reader will love the images of books filling the house. We see her start with only a few books that she lends out and watch as she gains more and more. She's an eccentric character that doesn't mind being eccentric. With Stewart's verses and Small's cheerful images, we see a character at peace in the world. I was enchanted. I've fallen in love with most of the collaborations between these two (The Journey, The Gardner...) but this story struck a chord with me. A must have for any librarian or regular reader. It's hard not to fall in love with Elizabeth Brown and this book.

A Story for Bear

I'm a sucker for two kinds of books: books about reading or books, and books about animals. So when I saw A Story for Bear, written by Dennis Haseley and illustrated by Jim LaMarche I knew I had to read it. This combines my two favorite things, in wonderful ways.

When a bear finds an abandoned letter in the woods he take it home with him because it seems magical. The words don't make sense to him of course but he has a sense of peace when he looks at them. After a long winter of hibernating and staring at the paper, he wanders out into the spring and stumbles upon a cabin. At a chair right at the edge of the woods, sits a woman reading. The bear creeps closer to see the magic symbols over her shoulder. She notices him and over several days lures him to her. And then she starts reading. The bear doesn't understand the story but he feels the same sense of peace as he had with the paper. He returns for more and more stories. As the summer wears on he becomes a regular for story time. But summer ends. One day he returns to find the woman not in her chair. Instead she has left him a stack of books. Slowly he carries each one, gently, to his cave for the winter. And the hope that she will return in the spring.

It doesn't get much sweeter than this story. Haseley tells a story that made me both cry with happiness and at the same time feel completely at peace. Like the bear, I wasn't sure why it made me feel this way but it did. I love the description of him carefully carrying each of the brown, red, green, and black covered books back to his den. Haseley describes how the stories (or at least the way the woman sounds while telling them) stays with him during the day. How he feels that sense of peace when he can hear her speaking in her head. The simple line "For my Bear" brought me instantly to happy tears. Haseley makes us care about both the woman and the bear. And of course the stories. I found myself wanting to be that woman.

LaMarche creates beautiful landscapes and sweet characters with acrylics and colored pencils. He creates a bear that is somewhat realistic but also no where near threatening. I loved the cover image of the woman with her knees pulled up in the chair, reading to her attentive bear. But the natural landscapes that LaMarche creates are just stunning. With almost impressionistic lines he creates a beautiful stream, gorgeous pine trees, and of course a very cute bear. The emotions that he can create with only a few lines are wonderful. The images of the bear sitting surrounded by his books, is one of the most lovely images of the book. And something I would gladly buy a print of to hang on my wall. This book has beauty and emotions in both the story and the pictures. It is a book that celebrates nature and celebrates reading. It's my type of book.

The Dangerous Alphabet

As much as I'm looking forward to the upcoming collaboration between Adam Rex and Neil Gaiman, Adam doesn't quite fit with Neil's more macabre work (although seriously, Adam Rex and Neil Gaiman!!!, two of my favorites in one book. I'm going all fangirl). For Neil's darker work, I was taken with his collaboration with Gris Grimly on The Dangerous Alphabet. A perfect book for Halloween. It was enough to creep me out.

The story (because this alphabet book has one) follows two brave children and their trusty pet gazelle (gazelle?) through the underbelly of the city. Shortly after they start their journey the girl is lured by strangers into taking candy and gets snatched. Facing pirates and monsters, the young hero manages to save his sister from being kidnapped. So there is a happy ending. But there is a lot of creepiness to get through before you get there. Unlike other alphabet books, Gaiman doesn't focus on creating a literal word connection. This is no "A is for Apple" book. Instead we find more clever word associations like "C is the way that we find and we look", a pun on C and see as homonyms. Others like "I am the author who scratches these rhymes" for "I", will unnerve after we have gotten used to the pattern of B is for Boat. But by the time we reach "I" in the book we are already unnerved. This is not a safe children's story that you put them to bed with. It is creepy and dark. Children often like to be scared (in a safe setting of course) and these will accomplish that. "J is the joke monsters make of their crimes", was a particularly creepy page for me as we see children chained up or in cages. Or the "O is for ovens" page where we see pies being made with distinct parts sticking out.

Grimly's illustrations are macabre and unusual. There is something about them that reminds me of old comics I used to read, but can't seem to place. The heroes are almost skeletal looking themselves although the gazelle has large Disney eyes that are a little out of place for a strange unnerving book like this. But that only adds to its charm. The book is filled with sewer tunnels and horrible looking gangster monsters and floating eyeballs. The backgrounds are all tans and browns and the characters are mostly rendered in fine line ink. The text is wonderful but it would be lost without the images. Grimly takes the sparse text and brings it to life in all of its horror. "D is for Diamonds, the bait on the hook" would be far less scary without the dead dog floating in the water or the hideous fisherman holding the pole. In fact it is Grimly who makes this book scary. Every detail in the pictures is geared to unnerve. And of course to illustrate the letter. It took me a couple of reads before I started noticed the garbage and ghosts on the "G" page or the milk, maggots, and mice on the "M" page. I should have. The out of place llama on "L" should have been a direct give-away.

I don't normally list an appropriate age for books. I feel that children should not be limited by their age range. I was reading 6th grade book in third grade. I was reading adult titles in middle school. But I will suggest reading this one first before reading it to your child. You know best their tolerance for creepy stories. And this one fits the bill. It's a fun book, particularly for Halloween and the word play makes it one of the better ABC books I've read. Gaiman and Grimly create a creepy classic. Just make sure that your child won't be too disturbed.

Blog Suggestion

I have a stack of books that I need to review sitting by my computer. I pick them up and start a post and then get distracted (woo shiny things). But the books keep calling to me to discuss them and sometime this week I'll sit down and write those. But in the meantime I wanted to share a blog I found this past week.

I love getting a chance to peek into the studios of writers and artists. Apparently so does Jennifer Bertman. Her blog, From the Mixed-Up Files of Jennifer Bertman (I love the reference by the way) has interviews and images provided by authors and artists of their creative spaces. The images that the interviewee sends can be anything from views from their windows, images of their favorite coffeehouses, pictures of their desks and supplies, to family members and pets. Jennifer asks questions about some of the special objects in their studios, what their typical day is like, what media they prefer, and their best writing advice...among other great questions. I have not yet found an interview that didn't fascinate me. When Jennifer isn't interviewing writers, she's sharing book suggestions. I've picked up a couple of her suggestions and haven't been disappointed. This blog has quickly become a favorite. For anyone who likes seeing how writers and artists work, this blog is a treasure trove.

The creative space of the brilliant Aaron Zenz. Don't you just love it?

Diary of a Wombat

I had heard about Diary of a Wombat written by Jackie French and illustrated by Bruce Whatley for years now. I’ve been told that I had to read it. I’d heard how wonderful it was. But the book wasn’t what I was expecting. I was expecting this modern classic to be sweet. Judging by Bruce Whatley’s adorable wombat on the front I was expecting cute and sweet. What I didn’t expect was to laugh so hard I snorted. I didn’t plan to giggle with each page. This book is a joy.

The simple story is told from the point of the view of a wombat as it “trains” its human neighbors how to get along. Some pages are as simple as Tuesday which is mostly made up of sleeping and eating grass. That is until the wombat discovers the family next door. After destroying the flat, hairy creature at the door (welcome mat), the wombat demands a reward. After it gets a carrot, it quickly learns how to demand them (chewed through the door). And  the trouble for the family is just beginning. The wombat digs burrows in the garden, chews up gardening equipment, pulls laundry off the line, and generally makes a pest of itself.

This book has a marvelously dry sense of humor. I was so shocked when the book turned funny that I read a line and literally snorted. The humor snuck up on me. I love how droll French’s wording is. After the wombat grows tired of carrots, it demands something else. “Demanded oat AND carrots. Only had to bang large metal object (garbage can) for a short time before they appeared”. Or where she demands a reward for destroying their welcome mat. Each page brings new mischief and a new interpretation by the wombat. It is not exactly subtle but the dry sense of humor is right up my alley.

Bruce Whatley creates an adorable character who looks at the world through sleepy eyes and is more than happy as long as it’s getting its way. The book is filled with white space which leaves tons of room for playing with the pictures and the words. We see the welcome mat, but French never reference it directly. It’s only the flat, hairy creature that is invading the wombat’s territory. I love the triumphant look on the wombat’s face after the battle. Most of the time though it just looks sleepy and cute. Whatley’s acrylic illustrations are a mix of detailed expressions and blurred edges. Most of the illustrations are of our hero but that is really all we need with the book. An adorable book that made me laugh. 

Emily Gravett

I have a problem. Right now I have four books by Emily Gravett sitting on my desk waiting to be reviewed. The problem isn't how to talk about these amazingly inventive, stunningly sweet, and incredible children's book. That isn't my issue. The issue is that there is no way that any of my reviews would be good enough to match Gravett's great books.

I've become a huge Emily Gravett fan in the last couple months. Emily draws beautifully. She invents wonderful stories that surprise readers on every page. She creates books that are as inventively designed as they are well written. I know I'm gushing. I can't help it. I haven't found an author that excites me this much since I read my first Adam Rex and Lane Smith. Emily has become a favorite in a very short period of time.

So instead of reviews I'm going to present all four books. All of these are recommended, highly!!! All of these books are wonderful and sweet. All of them made me smile and laugh.

Wolves is the story of a rabbit who checks a book out from the library on wolves. As the rabbit reads about how wolves hunt and look and where they live, we see the actual wolf sneaking up on the rabbit. The oblivious rabbit walks across the giant wolf's muzzle until it gets to the part about diet. Gravett plays with the ending in a way that I won't tell you. It's one of the great charms of the book. I love the little details on this story. There is a library checkout card at the beginning of the book, like it is the little rabbit's book. The book the rabbit is reading is written by Grrabbit. The cover and back of the book are the only realistically rendered thing in the book, the rest are line drawings. It's the little details that made this book so much fun for me.

Little Mouse's Big Book of Fears takes book design to a whole new level. The words and plot itself are simple. This is a little mouse listing out all of his fears. And he's afraid of a lot. The dark, snakes, being eaten, sharp objects, water.... The list goes on and on. But it's the design that made me adore this book. There are surprises on every page starting with the giant whole taken out of the cover. There are ragged pages, foldout newspaper articles, a very funny map (with heartbeats as the scale), and everywhere there are Gravitt's wonderful line drawings. I loved her little mouse quaking in fear up until the end. This book doesn't just break the fourth wall, it shatters it.

Orange, Pear, Apple, Bear is the simplest of books. Gravett uses five words in total in this book and four of them are in the title. But it's the way she combines them, along with her adorable images, that makes this book, a favorite. There is a sweet simplicity here. The bear is adorable as he plays with the fruit, changes colors, and show off. All leading to a one word ending that had me smiling. This is one of those books that I would read to my youngest child. And reread over and over and over.

The last book I have for Gravett's is Meerkat Mail, one of her newer stories. Sunny the Meerkat is getting tired of his close family life. His brothers and sisters drive him crazy, the desert is too hot. But the family motto is Stay Safe, Stay Together. That is the only way they can stay safe from the jackals that try to eat them. When Sunny sets out on his own he writes his mother a letter and details why and where he's going. He heads out to various family members, trying out different lives. At each place he writes his mother a postcard which are affixed in the book. At first Sunny loves his new found freedom.  Even with the ever-present jackal always just a step behind him. But as the book goes one the letters grow different. Sunny is becoming more homesick. We hear him talk more and more fondly about the heat and the close family. He hates the rain and the dark and the ants. He starts to long to come home. His last postcard is sent as he arrives in the loving embraces of his family. This had all of the humor of Gravett's other work but also the sweetness. It's a much simpler book than the first two I mentioned but I think this one might be my favorite. Humor and heart always work for me.