Blog Suggestion

I have a stack of books that I need to review sitting by my computer. I pick them up and start a post and then get distracted (woo shiny things). But the books keep calling to me to discuss them and sometime this week I'll sit down and write those. But in the meantime I wanted to share a blog I found this past week.

I love getting a chance to peek into the studios of writers and artists. Apparently so does Jennifer Bertman. Her blog, From the Mixed-Up Files of Jennifer Bertman (I love the reference by the way) has interviews and images provided by authors and artists of their creative spaces. The images that the interviewee sends can be anything from views from their windows, images of their favorite coffeehouses, pictures of their desks and supplies, to family members and pets. Jennifer asks questions about some of the special objects in their studios, what their typical day is like, what media they prefer, and their best writing advice...among other great questions. I have not yet found an interview that didn't fascinate me. When Jennifer isn't interviewing writers, she's sharing book suggestions. I've picked up a couple of her suggestions and haven't been disappointed. This blog has quickly become a favorite. For anyone who likes seeing how writers and artists work, this blog is a treasure trove.

The creative space of the brilliant Aaron Zenz. Don't you just love it?

Bill Peet

As an animation fan, a Disney fan, and a huge children's book fan, Bill Peet has got to be my hero. Not only did Bill work for Disney helping to create some of the most memorable animated films of all time, but he has created some of the most inspiring and emotive children's books out there. If you couldn't tell, I adore his work. I review one of his books here and here. So when I was in the bookstore just recently and noticed a copy of Bill Peet: An Autobiography on the shelf, I knew I had to own it.

Bill Peet tells his autobiography through words and images. Each page of this wonderful book is filled with a full color image that relates to a part of his story. Peet starts from his early childhood and tells his story through the publication of Chester the Worldly Pig. He tells stories of his early childhood drawing in his grandmother's attic. He describes his years in art school when he met his wife and his early start to his career. Not surprisingly, he spends a good part of the book on his years working for Disney doing storyboards. And then finishes with his stepping out on his own to focus on children's book writing.

Peet tells his story lightly, focusing on the positives of his life and career although he does mention the negatives. The book, which was designed for children, offers a wonderful overall picture of the artists life and influences. Peet describes his clashes with Disney in a sympathetic way, making the reader care about both characters. He discusses his dead-beat father in ways that make him seem more absentee than really an issue. And he discusses his excitement and frustrations of working to create the books and films that he made. Readers will be stunned at the number of both children's books that Peet has written and the number of Disney movies he has influenced. I wasn't aware of how involved he was in the creation of 101 Dalmatians (he wrote the screenplay and a did a good amount of storyboarding). Nor was I aware of his brief involvement in Snow White. This is a man who had a hand in some of my favorite Disney films, and then went on to create some of my favorite children's books.

Peet illustrates his book with images of animals (his favorite thing to draw) and scenes from his life. Some of his illustration cover his memories from childhood, some represent scenes from his books or movies, and some show scenes from inside Disney Studios. All are done in his distinctive colored pencil style. The illustrations take up a good portion of each page, making this book a light and easy read. I was fascinated and read through the book in two hours. His images are unique and emotive. His writing style is straightforward and interesting. This is a unique history of an interesting man. A wonderful new collection to my library.

20th Century Children's Book Treasury

I'm not a huge fan of children's book treasuries in general. I'm often disappointed if a larger story is condensed. I'm never quite sure of the selection. But the biggest reason is almost always that I miss those big full page illustrations that come with any sort of picture books. Even if a treasury includes all the artwork it is normally too small to make out details. So when my mother bought me The 20th Century Children's Book Treasury, selected by Janet Schulman, I smiled politely and accepted it but figured I'd end up giving it away. This was many years ago. It still graces my library shelves. I still pull it down to read from occasionally. It's just that good of a collection.

All the greats are here. Maurice Sendak rubs shoulders with Dr. Seuss. Robert McCloskey shares a binding with Ezra Jack Keats. Leo Lionni and Mercer Meyer take their places. And Lane Smith and Jon Scieszka are neighbors to Jean de Brunhoff. Name a famous classical children's author and they are probably here. But there are some less known faces as well. I read through this treasury and knew only about 3/4th of the stories, and for me that's saying a lot. I had never read the story of The Tub People, written by Pam Conrad with wonderful drawings by Richard Egielski. I read it eagerly, hungry for fresh stories. And the treasury has plenty of stories. I was impressed with the selection and the sheer number. There are 44 stories in this one treasury, each by a different author and each a wonderful story. I will admit that there are two stories that are not complete. The author took only a section from both Amelia Bedelia and Petunia. But with only two stories out of 44 as abridged, I didn't feel like I was missing too much.

And I definitely wasn't missing any artwork. I knew from the moment I read Madeline (the first story) that the book had included as much of the artwork as possible. Each page spread before me with the full illustration and most of them were not all that tiny. The Spooky Old Tree by Stan and Jan Berenstain had most of its seven pages covered with illustration. Even H.A. Rey's Curious George had all the playful and beautiful illustrations from the original book. Of course the illustrations are smaller than they normally would be but the color and quality of the book make up for that. This really is a beautiful book. Each story offers a different style of illustration and that makes flipping each page a bit of an adventure.

Many of the stories included are ones I don't own yet. For a child with a small collection, this book is priceless. One book and tons of stories to read aloud over and over. I find myself pulling the book down regularly to reread classics from my childhood or rediscover some of the ones that I'm just getting to know. For reference the book was published in 1998 so parents looking for newer authors won't find any of the new up and coming authors that seem to be coming out of the woodwork. What they will find is some of their own favorite stories from childhood. Children without much exposure to the classics will find a treasure trove of material. And parents and children will find a wonderful collection that will allow them to sit and read night after night and still have plenty of fresh stories for the next night. A wonderful treasury. A nice complement to any good sized library (perfect for lending out) and a must have for any small library.