Tea Rex

It was a picture of a confused looking Tyrannosaurus Rex staring at the tea in his hat that sold me on this book. It was such a perfect image: the soft colors, the concerned look on his face, his tail holding the teapot and spilling it on the floor. It was absurd and gentile and wonderful. I don't know how else to describe this book. It's elegant and absurd and the most fun.

Tea Rex by Molly Idle is the story of how to behave at a tea party, as demonstrated by two very proper children and a towering Tyrannosaurus Rex. Rex hasn't mastered all of the fine motor skills needed to be a perfect guest but that doesn't stop Cordelia, our host. Her brother is a little more willing to be silly, a little less polished. By the end of the party the lovely table in the living room is in shambles. But everyone has had a wonderful time and the guest shows his appreciation. A mix of how-to ("Take turns making small talk") and chaos.

As I mentioned before it was Molly Idle's colored pencils drawings that brought me into the book. Molly is a master with color, as evidenced not just with Tea Rex but with her Flora books. These illustrations are guaranteed to make children giggle. Cordelia's giant hat is enough to make any child giggle, even if it wasn't for the impossibly large t. rex. The settings are lovely, even old-fashioned. But the action is all hilarious. The scene where they try to squeeze Mr. Rex through the front door sets the perfect pitch for the book. The door strains and the children are pulling with all their might. The image of T. Rex from behind, sitting on the tiniest of chairs is one of the funniest things I've seen in a while. All the characters are so expressive. The toothy grin of T. rex can show a full range of emotions. Cordelia and her brother are simply perfect.

Idle's wording is sparse and understated for the action happening in the pictures. "It's good to have extra cups and napkins on hand...as accidents can happen," are the quiet words that accompany a two page spread that shows us Mr. Rex experimenting with any sort of vessel he can find for tea, before settling on Cordelia's giant hat. It's a simple read-aloud but one that will have kids (and adults) giggling along. A wonderful book.

Bill Peet

As an animation fan, a Disney fan, and a huge children's book fan, Bill Peet has got to be my hero. Not only did Bill work for Disney helping to create some of the most memorable animated films of all time, but he has created some of the most inspiring and emotive children's books out there. If you couldn't tell, I adore his work. I review one of his books here and here. So when I was in the bookstore just recently and noticed a copy of Bill Peet: An Autobiography on the shelf, I knew I had to own it.

Bill Peet tells his autobiography through words and images. Each page of this wonderful book is filled with a full color image that relates to a part of his story. Peet starts from his early childhood and tells his story through the publication of Chester the Worldly Pig. He tells stories of his early childhood drawing in his grandmother's attic. He describes his years in art school when he met his wife and his early start to his career. Not surprisingly, he spends a good part of the book on his years working for Disney doing storyboards. And then finishes with his stepping out on his own to focus on children's book writing.

Peet tells his story lightly, focusing on the positives of his life and career although he does mention the negatives. The book, which was designed for children, offers a wonderful overall picture of the artists life and influences. Peet describes his clashes with Disney in a sympathetic way, making the reader care about both characters. He discusses his dead-beat father in ways that make him seem more absentee than really an issue. And he discusses his excitement and frustrations of working to create the books and films that he made. Readers will be stunned at the number of both children's books that Peet has written and the number of Disney movies he has influenced. I wasn't aware of how involved he was in the creation of 101 Dalmatians (he wrote the screenplay and a did a good amount of storyboarding). Nor was I aware of his brief involvement in Snow White. This is a man who had a hand in some of my favorite Disney films, and then went on to create some of my favorite children's books.

Peet illustrates his book with images of animals (his favorite thing to draw) and scenes from his life. Some of his illustration cover his memories from childhood, some represent scenes from his books or movies, and some show scenes from inside Disney Studios. All are done in his distinctive colored pencil style. The illustrations take up a good portion of each page, making this book a light and easy read. I was fascinated and read through the book in two hours. His images are unique and emotive. His writing style is straightforward and interesting. This is a unique history of an interesting man. A wonderful new collection to my library.

The Quiet Book

The first time I saw the cover for The Quiet Book I knew I had to own it. I skimmed through the book in the bookstore but didn't have the cash to buy it. It was a tense couple of days before I could get back to the store and pick up my own copy. I was worried they would be sold out. I'll freely admit that I judged this book by its cover. And it didn't let me down. If you don't own a copy of this quiet, gentle book, you need one.

There is no true plot to The Quiet Book, written by Deborah Underwood and illustrated by Renata Liwska. You'll note that their names don't show up on the front cover. Another example of quiet. In some ways the story follows a group of woodland creatures (focusing on bunny) from morning until night as they experience all the different types of quiet. Starting with "First one awake quiet" and ending with "Sound asleep quiet", this book touches on every inventive moment for quiet you can imagine. Each phrase is only a fragment but the words, combined with the illustrations, speak volumes. One of my favorites was "Pretending you're invisible quiet" as we see a little bear covering his eyes, as he stands next to the nurse who is getting ready to give the bear a shot. That is immediately followed by "Lollipop quiet" as we see the creatures who had to get shots sucking contentedly on a lollipop. The mix of words and images is perfect.

Liwska's illustrations are sweet, enduring, and beautiful in their own way. She uses pencil to create the characters, who have a bit of an unfinished quality, and then colors them digitally. This slightly rough look give her creatures their fur and feathers. I loved looking at the tiny lines that make up these charming scenes. Each character is imbued with tons of emotion. I felt so bad for moose at the beginning of the book, as we see her sitting on the stairs with the words "Last one to get picked up from school quiet". There are happy quiets and sad quiets and sweet quiets. But each quiet is captured beautifully.

Each page seems to have one side that is very simple, with lots of white backgrounds and few words. The other side is filled with images and a bit of a longer phrase. I'm not sure if it was intentional but I like the juxtaposition. One scene has a barber shop with a very sad little porcupine getting his hair cut off. The whole picture is filled with color and the phrase at the bottom is "First look at your new hairstyle quiet". This is opposite the same porcupine at home with his mother's concern at the haircut. But the words at the bottom are "Sleeping sister quiet". I could just imagine the hushed comforting. Such a tender scene. In fact all the pages are tender and sweet and gentle and quiet. A beautiful book. So wonderful. For me it was a must have.

Kitten's First Full Moon

Time for a classic, well at least a modern classic. And a Caldecott winner. I had never read Kevin Henkes' very popular book Kitten's First Full Moon until this week. The book has become an instant classic since its publication and I figured I simply had to read it. I've loved Henkes' other work and was fully prepared for a wonderful story.

The book follows Kitten who sees a big bowl of milk in the sky (aka the moon) and decides she wants to drink it. She leaps from the steps to try to catch it but only tumbles onto the sidewalk. Then she follows it farther and farther away from the house trying to catch it. When she tries to climb to the top of the tree to grab it, she only ends up stuck and scared. But then she sees a gigantic bowl of milk in the pond (moon's reflection) and jumps for it. And of course ends up soaking wet. She heads back home still hungry and finds a small bowl of milk (this time actually milk) waiting for her on the porch.

This is such a simple but cute story. I'm sure I've heard the premise before but I love the mistakes that Kitten makes when trying to grab the moon. When she first sees the moon she sticks out her tongue to lick it and catches a lightening bug. It is the sweet humor and the repeated phrase of "Still, there was the little bowl of milk, just waiting", that makes you want to turn the page to see what new adventure the kitten will get into. I loved the repeated "Poor Kitten" that gets changed at the end after Kitten finds the milk. The wording is short, making for a very nice quick read aloud, a great bedtime story.

The illustrations are done in black and white with various shades of grey bordering on purple. Henkes uses thick black outlines for everything to make them stand out wonderfully against the different greys. The images are created using gouache and colored pencil but the lack of color is what I find so intriguing. It is rare to see a book in black, white, and grey anymore. But in this case it gives the impression of what things look like in the moonlight. Only various shades appear in the dark and this book mirrors that well. Henkes uses the moon's reflection on the little white cat very effectively with some sections of the cat in shadow. The shapes are simple, the flowers just little circles on stalks, the pond just big circle swirls to represent waves. The images, like the words, are simple and sweet. I loved this little adventure tale. Well worth a read.

Chester the Worldly Pig

I’m sure I’ve mentioned how much I love the animal stories of Bill Peet. Like a potato chip, I can’t just limit myself to one. I have already done a review of Huge Harold but Chester the Worldly Pig is just too good to pass up doing a review of. Like Wilbur, in Charlotte’s Web, this pig had me cheering for him as he attempted to make his own luck.

Like Wilbur, Chester decides that he doesn’t want to become bacon. He decides he doesn’t want to end up on anyone’s table. But instead of finding a helpful spider, Chester decides to make his own luck. He sees a poster for the circus and decides to learn a trick. He practices and practices and finally teaches himself how to balance on his snout on a fencepost. He runs away and joins the circus only to find out that they want to make him do his trick surrounded by hungry tigers. When he faints, he becomes a clown’s sidekick. But that’s not what Chester wanted either. So he runs away from the circus only to run straight into a bear. He is saved from the bear by three hobos, but they decide to eat the little pig. They stuff Chester into a sack and take him on the trains with him. He escapes from the hobos into the city. But danger lurks everywhere in the form of butchers. He leaves the city defeated and gives himself up to the next farmer he sees. The farmer starts to fatten the pig up for eating; but Chester is saved in the end by a passing carnival promoter. Chester didn’t even need his trick, his spots form a map of the world.

As always, I am enchanted by the characters in Bill Peet’s books. Through both the story and the illustrations, Peet is able to tell an exciting story with some very memorable animal characters. Unlike so many books for children, these are not animal characters acting like people. These are animals, who act like animals, who also happen to have great adventures. Chester is a determined little pig who ends up in a series of bad positions. He is not willing to just sit and wait to become dinner. Chester decides that he will solve his problem on his own. He works hard to improve at his trick and even though it doesn’t pan out, his determination just shows how he’s not afraid of hard work or a couple bruises. Even when things reach the point where he is resigned to being dinner, he decides to do it on his own terms. He plans to grow to as big as possible. He’s a pig who takes charge of his own situation. And a great character.

This book is drawn with Bill Peet’s typical style. Using only colored pencils and ink, Peet is able to create tons of emotions for his characters. We see Chester’s pride, his heartbreak, his determination, and his joy. The rest of the cast of characters is well done but it is the little pig that steals the show. The backgrounds in Peet’s books, often set in the forest or the country, are detailed without being overpowering. A couple of pen lines somehow become a field of wheat. The circus tent is a sea of faces, all done with a bit of colored pencil and excellent shading. Peet is a master when it comes to colored pencil. At a distance, a circus elephant seems grey, but get a bit closer and you can see all the colors that have been used to create the exact shade of grey. The books are filled with great scenes. Peet’s work always seems like he’s grabbed stills from an animated film. There is so much movement and color. Perhaps it is his film background. Another Peet masterpiece and a wonderful character.

Huge Harold

I hadn't reviewed any Bill Peet books for the blog and the absence was starting to get to me. Bill Peet is best known as a story man for the Disney company but during that time he also managed to write a ton of books for children. He worked on films like 101 Dalmatians, The Jungle Book, Dumbo, and Alice in Wonderland. His children's stories are He has got to be one of my favorite authors and illustrators. I compare him with Gene Zion and Don Freeman, masters of stories with warm wonderful illustrations and likable characters.

Huge Harold is about a rabbit named Harold who grows up way too much. He becomes several times larger than any other rabbit. His parents are forced to send him away with the statement that he won't be safe with them. So Harold sets off but he quickly discovers that he's not safe in the woods after he is chased by foxes in weasels. He tries to stay in a garden but the farmer discovers him and starts chasing him. Harold eventually finds himself in an old abandoned house but even that won't work after he is discovered. He is chased by hunters all through the fall and eventually in the winter, decides to take shelter in a barn. The farmer who finds him does not chase him off. Instead he feeds Harold good food and takes care of him. Harold is suspicious that he is being fattened up for rabbit stew but the farmer has a different plan. He teaches Harold to pull a cart and wins horse races with him. From then on Harold is adored as the rabbit as big as a horse.

The story is wonderfully warm and I loved the character of Harold. He is a sweet rabbit that just can't seem to fit in. He is often sad and constantly tired and hungry but he is just so cute that I could look past even his flashes of pessimism. The text is rhyming with a simple couplet rhyme scheme. "So he spotted a hide-out and with a big hop, He came plopping down in a leafy treetop. This fooled the hunters and also their dogs, Who sniffed round the tree trunk and peeked into logs." The writing is silly in places and the rhyme actually does a lot to keep us from getting depressed. Harold is often despairing and regularly makes remarks about not being able to go on. Originally I was surprised about this but the sadness just makes the big rabbit an underdog and we root for him all the harder.

The illustration are classic Bill Peet. Using colored pencil and tons of shading Peet is able to created characters that spring to live. I love the goofy grin on the face of Harold as he is happily munching away on the lettuce in one farmer's garden (not the cover image though). It certainly makes up for the number of scared or sad poses that Harold has to take. One image, of Harold sitting by a pond, is enough to break your heart. There is so much emotion in every page of this book, most of it on the part of the giant rabbit. We see his excitement, his sadness, his exhaustion, and his pride. This illustrations, like most of Peet's work, is just filled to the brim with heart. This is one of my favorite Bill Peet's and truly one of my favorite books.